FltCapt. Sidney Riley Posted April 11, 2010 Share Posted April 11, 2010 ((Turbolift))::Henk monitored the facial changes on both children. From his vantagepoint perched on Marcus' shoulder it was difficult to get a full reading ofhis face but even the side-on profile offered a wealth of information. Thesubtle changes as he pronounced the word gramma were of interest. When hedescribed the rice and the vegetables Henk could detect signs of theemotional state referred to commonly as nostalgia.::::The Bajoran girl Dioron seemed confused at the notion of hot noodles.Henk queried his cultural database and could not see a reason why. Headded it to his list of fringe cases, a set of unexpected emotionalresponses to stimuli or vocalizations. It was like a long tail ofdiminishing probabilities that never quite reached zero. Tell a Terran malea story and there was a finite probability that he would punch the teller.Of course that probability was lower than the probability that he mightsmile. Indeed there were some Terran cultures whose members would be morewont to thank the teller. For these cultures to be told a story was agift.::((OOC: In case anybody's interested, have a look through Jill Jepson'srecent book "Writing as a Sacred Path." for where that little tidbit fromHenk comes from ))((Holodeck))::When they finally reached the holodeck Marcus requested the program heaffectionately called "Gramma." "Please turn it on."::::When the computer requested a password Henk detected a slight change inbloodflow beneath his feet, an emotional descent marked by further shifts inMarcus' facial muscles and underlying frame, and then a rallying climb.::::None of these things apparently registered with the Bajoran/human hybridwho said simply,::Dioron: What does that mean?::accompanying the question with a more or less textbook suite of facial andbodily movements.::Henk: Um... You do know the password right?::Henk knew already that the boy had the password. His body had yelled thatenough into Henk's sensors over the last few seconds.::Marcus: No worries, I know the password. Computer.. Password is Poodles.::Poodles? Henk's emotional simulation engine registered laughter. He keptit suppressed as he reasoned that perhaps the reference to the miniaturehyperdomesticated Terran canine might somehow be sentimental.::::The doors opened to reveal a landscape dotted with ornate structures. Inthe horizon mountains jutted into the sky. The computer presented adescription of the scenery, Henk once again taking notes as it did so in aChinese accent. It was yet another fascinating thing to note theconnections sentient humanoids made between natural settings and poeticlanguage. The mountains, the computer noted, were dreamlike. Henk knewthat his analytical subroutines would be unable to grasp the connectionbetween thought processes during sleep and geological formations. He wasglad that Dr. Fengjian had programmed him to out-do the Vulcans in theirobsession with logic by giving him an emotional model as well.Bridging the gap between reason and passion, his central bus connected thetwo systems so they resided together not as single entity but rather assomething akin to a multi-province nation state, each land containing itsown distinct cultural heritage and dialect. His serial processor, usuallyoutside of his conscious awareness, maintained the physics engine and thecontrol suite that allowed him to keep his grip on Aaron's shoulder, whileinside the theater of consciousness played out the emotional state matrix,queries to the serial processor, and linguistic processing directives.The land was beautiful, winds at approximately seven kilometres per hour.The five holy mountains ascended the skies, human observers being unable toproduce linguistic expressions of their emotional responses to them. TheYangtze stretched out across the landscape, Marcus excitedly directingeveryone's attention to it. He pointed out other things as well, eachgesture cuing the computer to speak on the object indicated. Finally, hepointed out the temple in which his grandmother lived.::Dioron: This is beautiful. The plants and the trees and the river...Marcus: Yeah, it reminds me of home...::More subtle gestures: He missed his grandmother, he looked forward toseeing her again, he liked it here.::::Dioron was somewhat surprised to hear that Marcus' grandmother lived in atemple. "Yep," Marcus responded, "that one over there. Up the path andacross the bridge."::::Henk directed his eight eyes toward the temple itself. The railing alongthe path on which they stood cast shadows containing bright circles thatinvited them toward the building. A surge in the columns of his emotionalmatrix and a call into his lexicon directed him to say,::Henk: That is a beautiful temple!Dioron: How does one get to live in a temple?::Henk could tell Dioron was delighted with it as well. Marcus explainedthe martial art his grandmother practiced and taught.::::"This is amazing," Dioron said, Henk registering more facial expressions.He found the increases and decreases in bloodflow to the nasal ridges aninteresting part of the Bajoran emotional expression system. It hearkenedback to the staggered folds in the designs of Bajoran priestly garments."And it's all real." It was real. The emotions, the scenery, the winds.They were all real. And yet.::Marcus: Well....it is sort of real.::What was real? Henk was not one to philosophize but he knew that anelement of this entire experience was fake: The robot Henk. He himself wasan artificial implementation of a set of experiences and moods and stateswhich for millions of years had been a given in so many naturally evolvedspecies. Gramma was cooking. It punctured the reverie of the emotionalmatrix, philosophy flowing still like a river somewhere else outside theperiphery of Henk's conscious awareness.::Marcus: I bet she is cooking the cabbage too... I can not wait to get there.::Henk detected the odor of the cooking plant wafting about him.::Henk: Smells good!::Dioron seemed unsure of what to do. Indeed, Henk could understand herconfusion. The building seemed to emphasize beauty over function. To besure, there was a door and a stairway toward it, yet Henk knew the eye wasmeant to be drawn into the intricate lattice of designs on the panels andwalkways that girdled it.::Marcus: Follow me up this path, and after we cross the bridge we will be onthe temple grounds.Henk: I'll hold on.::Dioron remarked that she had never met a "grandmom" before.::Marcus: You will love her....you can call her gramma too, she responds tothat in here, no matter who says it.::They headed toward the temple, Marcus telling them of more things.::::As they entered the grounds Henk almost lost his grip on Marcus' shoulderas the boy ran toward an elderly woman, a bounce in his frame conveyinglevity. He caught glimpses of rows of boys who looked exactly like Marcuspracticing what appeared to be kata forms.::Marcus: GRAMMA!::Henk scanned the face of the elderly woman. Her eyes showed no fear, areaction to which Henk's sensors were growing steadily more accustomed. Theelderly face could at times pose problems for older models of emotionregistration systems, but Henk's had been programmed with algorithms andfilters that more accurately mimicked the human system of filters. He couldunconsciously drop data on the wrinkles and folds and tease out the woman'semotional state just as easily as he could with the children.::Henk: ::To Gramma:: Hey, how ya doin?Gramma: Response?Dioron: ResponseMarcus: OVER HERE DIORON... :: feeling his shoulder:: you still there Henk?::The boy's hand brushed over Henk's hairy abdomen and legs.::Henk: Yep, I'm here.Dioron: Response?Gramma: Responses?TAGSTBCHenk the Robotic Spiderand Computational PsychologyProbing Instrumentas simmed byLt. Kevin BreemanChief of ScienceUSS Independence-A Link to comment Share on other sites More sharing options...
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